Black Hole

Black Hole

The black hole is not evil, you see, and not even black,
Only in that no light can live inside it,
Nothing can live inside it, no warmth or love,
But it does not mean harm,
Does not mean to disintegrate and dissipate
All light and love

I found that singularity, and I thought
The black hole isn't evil, it means no harm,
And I thought
I could bring some brightness to that darkest place,
And I smiled,
And I saw the light within me,
Disintegrated and uninvented,
Everything bright about me, and everything dark,
Destroyed

It isn't evil, or even black, only to my eyes,
Which expect light, light returned.
The warmth must be somewhere inside it.
That's what I still think.
Flying as fast as I can from that place,
The place we shared,
Flying as fast as I can,
Though possibly not fast enough.

7.31.11

Day 26

It's been twenty-six days since we've had any communication. The last time we went into radio silence, you broke it after that many days, so as we move through today into tomorrow, we will set a new record -- for no one but me to observe -- for days without contact.

I'll confess that, although I've managed to avoid saying anything about what's happened publicly, until I sat to write this, that I've run a dialogue with you in my head this whole time. No, not a dialogue. A monologue. Your input is notably absent. I think you had to know it would be like this for me, given the way you did this, that I'd be left waiting, wondering, addressing the air. I think you had to know. I hate you for doing this to me, again.

If you did contact me, I think I know what I'd have to say:

You only get to kick a puppy so many times before it either bites you or runs away.

I think you're a good person, overall, but there's another person that lives inside your body who is not so good, not so nice. He's selfish and cruel. I've met him a few times and I always made excuses for his appearances, tried to mitigate the awful things he said to me and the thoughtless way he treated me by contrasting him, and the sparsity of his visits, to the other, more visible, more present, nicer parts of you. But this time, by letting the nasty version of you have the last word, or the absence of a word in this particular case, you've left me, for the past month, with no access to the calmer, softer, sweeter you, and so it's been harder to forgive you your jealousy and your temper. Harder. No, it's been impossible.

So now I have two impulses: to try to hurt you back or to get the hell away from you.

I have done petty things designed to sting you, but I've always immediately regretted them, and they don't compare at all to the level of hurt I'd want to inflict now. I don't know if you even have an idea how much you've hurt me, always under the aegis of protecting yourself, always flying that banner. It's not a good enough excuse for what you've done and what you're continuing to do. There's so many horrible things I could say in return, if given the opportunity, but.... I don't want to. Writing this publicly where probably no one will actually see it, well, that's about as nasty as I can bring myself to get. I will always care about you, and the thought of inflicting pain on you brings me no lasting joy. I've been told that I shouldn't continue to care, that you deserve whatever I might want to unleash on you, that you never deserved me at all, but I know the other you. I loved the other you. I always will. That said, you only get to kick a puppy so many times.

That just leaves me the other option.

I will forgive you eventually, of course. As the cliche goes, time heals all wounds. This is just a phase, for both of us. But if we will be "friends forever" as you said just a day before cutting me out without warning, well, I'm skeptical. You didn't trust me, when you could have, and I trusted you, when I shouldn't have. So it goes. This is how it goes.

You wanted a life without me, so that's what you'll get.

Now

Now

don’t believe in
love, now, i see through
that sugary skin, i
rip at it with teeth and
sharpened nails, recoil from
the rotting flesh of
desperation, of need.

now i will not cover lies with
lies, will not stitch up
that delusion with
this dull needle, i will not

believe in love, not
now, not as anything
as an orchestration,
a well-choreographed deception,
by animals,
wild and mostly
untamed things,
who are smart enough,
now, to
fool themselves:

dancing in pairs, figurines
on a chipped music
box machine, circling there,
waiting for the tin notes to stop.

6.10.11

The Camera

I woke up Tuesday morning much too early, much too nervous about things I couldn't control.

I didn't know what else to do with myself so I took my camera out, like I used to, in a different city, in a different life.

A few blocks from my house, I stopped to photograph some flowers outside a church. A man outside the church told me that the flowers had died inside but come back once they were brought outside. I smiled. He offered to let me photograph inside the church but I wanted to keep moving so I declined.

A block later, I was kneeling outside a shuttered cafe trying to capture the street scene reflected in the stainless steel exterior, and a man came out of the building next door and stopped to talk to me. "You're shooting reflections?" he asked. "I do that all the time," he said. "You should come around the corner and see my display of shoes." I waited until he left, took a few more shots and then ventured over to see what he was talking about. Outside another cafe, just a few doors away, he had hung sneakers from the wall, filled them with dirt and planted flowers. I wasn't sure if I could capture this in photos but I tried. He came out again and offered to buy me a coffee in the cafe next door, and I hesitated, but then said yes. He took me inside and by the way he spoke to the barista, with no exchange of money, I gathered that he owned the cafe. I ordered my coffee and he wished me well and left.

Then I was back on my way.

I love Brooklyn, I thought.

Another block or so later, I stopped to photograph yet another flower, and set my coffee on a ledge that was too small, and the coffee fell to the sidewalk. Half of it spilled. Oh well, I thought, it was free anyway, and I shot pictures of the coffee running along the sidewalk.

I used to do this all the time, just me and my camera.

Sidewalk

A light rain falls on me as I walk down Atlantic Avenue, early on this holiday morning, the streets deserted and wet, the sidewalk covered in seeds from the trees, fallen from the brief but intense downpour of just a few minutes ago. I think the sidewalk will forgive me for what I have to do.

A year ago today, you made me an affectionately-named playlist of songs that you wanted me to hear. I was touched, wanting your attention, but it was so loaded with mixed messages that I found myself unable to connect to you, the next day during our day at the beach with your ex-boyfriend and his new boyfriend, or the barbecue at his house. I didn't understand how you could love me and not want to be with me, but want to be with me, and want to keep me near, but not want to let us be together.

"If one day we had to say goodbye / And our love should fade away and die / In my heart you will remain here."

I listened to that song over and over for weeks and tried to understand. I thought I did, for a while, but I didn't. I really didn't.

But now, as I walk and remember you, two years ago, that day that you came up to visit me, how you looked lit by the fading sun in the parking lot down the street from my parents' house, where we stopped for me to smoke, and I don't even think it's the same person. I remember you sitting across from me at breakfast, on your birthday in San Francisco, in a restaurant that's recently been shuttered and reinvented, and the hurt I feel is different now. I don't want it back. I think that I don't love you anymore, and I wish I never had.

I come to stop in the parking lot behind the laundromat where I sometimes go to smoke. I stand with a coffee and stare at a puddle reflecting the pipes that peer out from the top of the buildings. Looking into the puddle, with the rain coming down around me, throws off my sense of perspective and I suddenly, for an instant, feel farther from the ground than I really am. It reminds me of waiting at the bus stop as a child, with an umbrella, imagining that I could levitate, that I could fly away.

I wait to hear from you, for you to tell me when you're coming home from your weekend-long date, so we can see each other. So I can talk to you. I haven't let on what I intend to do, and you may suspect, but I don't think you do. I don't think you think I have it in me. There's a lot about me that you never saw, and I've just realized that there was a lot about you that I didn't want to see. Seeing it now has tainted my memories of you, knowing what you would go on to do to me, and it's sad, because memories are all that we have left now.

"If the sky should fall into the sea / And the stars fade all around me / All the times that we have known here / I will sing a hymn to love."

It feels like something has fallen out of me, and if it's fallen to the sidewalk, it's since been washed away. I forgive the sidewalk, and we understand each other, but the difference is this: I will not be walked on.

In My Dream I Am A Hero

I've been having a lot of very strange, powerful dreams lately.

This afternoon, during an attempt at a nap, I had one that really overwhelmed me.

I was waiting at an intersection, somewhere, to cross the street, and I noticed that there were a lot of women with baby strollers there, waiting as well. In real life, this would probably have annoyed me but in the dream I squatted down to interact with the kids. Often in my weirder dreams there is an element of meta-awareness, not that I am conscious I am dreaming, but that I am simultaneously viewing and living a script that has already been written, like I am walking through a movie that I've already seen. So at this point in the dream, that awareness kicked in and I knew what going to happen. There was deep vibration that only the kids and I were aware of, and I knew, from my meta-state, that it was something evil and powerful on a level that should have had us all petrified. The children were scared but I was almost more curious, like the first few seconds of the first earthquake one ever experiences, before the abject fear sets in. The images on one of the kids' coloring books began changing and that was when I began to become afraid, though all I expected to happen next was that the children's eyes would start to change, to turn white, and the adults would notice and start screaming and it would be over. But that isn't what happened, because my meta-knowledge in dreams is actually always wrong. A figure appeared out of nowhere and snatched one of the children and began running, and I don't remember thinking that I should pursue, but I did. Then there was a moment of unusual meta, in which this was actually a movie, and one unseen person said to another that the next reel was missing, and they had a backup but it was unprocessed, and told the other person that he should run it through some campy "old movie" filters, like artificial scratching and desaturation, and I said, while watching myself running towards the dark figure with the stolen infant, that no, despite the fact that this is an old movie, it's held up really well so don't do that. And then I was just running, and I looked back and saw others running as well, but I'd lost sight of the kidnapper, and I was losing hope, running into an unfamiliar park. Then quite suddenly, my brother appeared, holding the baby, triumphant, as if he'd intercepted the bad guy, but it did occur to me to wonder, perhaps he had been the bad guy in the first place? I only wondered for a second and took the baby, warm, into my arms, and turned to return him to his mother. She was not far behind me, a beautiful young woman, and I didn't notice that it might be odd that she didn't seem out of breath from all the sprinting she must have been doing to catch up with me, instead focusing on the naked despair on her face, watching it transform through stages of disbelief and joy, as I handed her her child, as I handed her a miracle. My own arms suddenly empty, I began to cry, and all the other players vanished, and it was just me, crying quite hysterically. There was a final meta-moment in which I thought, "It's difficult for me to cry like this --"

And I woke up. Really crying. My eyes were not open but I was struck by the sound of it, the sound of me crying. It's the second time in recent weeks that this has happened, that crying in a dream has woken me up, but the other dream was much more obvious in why it would have reduced me to tears. This one, not so obvious. Is it because of what I did, or what I didn't do, what I have done, or what I have not yet done? The question remains.

Moments of Separation

Dec 5. I'm on the train. You were supposed to be here with me and I'm angry and hurt. I think it's time to let go, to let go. I need to use the bathroom, but the one in my car has a sign that says "Bathroom broken," with an arrow and handwritten text at the bottom, "next bathroom, four cars." I bring my bag, evacuate my seat, and follow the arrow, through car after car, barely holding my balance as I make my way to my destination. When I arrive, the bathroom is occupied, so I wait. I put my hands in my pockets and realize my gloves are missing. I must have left them on my seat and I panic. You gave me those gloves, and I'm sure they're replaceable, you said you bought them on the street, but I am not ready to let them go. When I make it back to my original seat, the gloves are still there, waiting for me, and I am probably more relieved than I should be.

I try to sleep. In bed, I breathe deeply and try to become calm. Why am I this way? My body relaxes, or wants to, but my brain won't stop, won't stop, won't stop.

Dec 6. I'm in Pathmark. I don't even realize I have a ritual of texting you from there, until I am not allowed to. My stomach gurgles, and hurts, and the pain moves, predictably, to my chest, to my heart. The register is broken in the checkout aisle I've chosen, and I wait, and I wait. I keep looking at my phone and it betrays me.

Dec 11. I'm in a stranger's bed, trying to rest, pretending to rest. The man next to me is sleeping, and the man sleeping next to me is not you, but he has his arm around me as he snores, and he holds me tight like he knows me, but he never will. I squeeze his hand like I've known him for more than six hours, and stare at the window. There's nothing to see but I stare anyway. I wonder how I got here, and I wonder if you'd be upset if you knew I was here, but I think on some level this is what you want. I won't get what I want, but for a moment, the stranger gives me what I need.

Dec 17. It's been over a week with no communication and two weeks since I've seen you. I've taken vague solace in that my roommate has been going through a similar withdrawal, but he just got a call from his other, and as we wait for the subway to Manhattan, he beams, so pleased that the silence is broken, and I want to be happy for him but I'm a little jealous, and I see my own situation thrown into sharper relief, and I want to cry. Now I'm really going through this alone. Maybe you'd remind me that we're all alone.

Dec 18. I rush for the train, heading upstate again, and I remember, the last time I rushed for this train, I was coming from meeting you for dinner, the last time I saw you. And I remember making this same trip, this same weekend last year, and that you were with me, and that we were together, and I was oblivious of the storm, the fierce winds that would tear us apart over and over. We watched the snow accumulating from the train and maybe you'd known what was coming but I didn't. There's no snow now, no storm, only an eerie calm.

It's the silence that gets to me. I understand that we can't continue the way we have. I grasped that part quickly, but the silence bothers me. It bellows around me, echoing and intensifying.

On the train I see a woman taking photos through the windows, and of course I think of you. Later, when I get up to line up for the exit, I find a lens cap on the floor, and I look for the photographer, but she's gone. I put it in my pocket. She's gone.